SKU: 48977596102
plant food liquid fertilizer

plant food liquid fertilizer Liquid Love- All Purpose Natural Plant Food 1 Quart

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Description

plant food liquid fertilizer Liquid Love- All Purpose Natural Plant Food 1 QuartWhat is Liquid Love? GS Plant Foods Liquid Love is your gardens ultimate bio active companionan organic, non burning fertilizer crafted to nurture every plant, from delicate houseplants to robust vegetable gardens! This versatile natural growth stimulant boosts chlorophyll production, deepens leaf color, and fortifies plants against environmental stressors like heat, drought, and frost. Safe for pets, kids, and pollinators, Liquid Love is the guilt

What is Liquid Love?

GS Plant Foods Liquid Love is your garden’s ultimate bio-active companion—an organic, non-burning fertilizer crafted to nurture every plant, from delicate houseplants to robust vegetable gardens! This versatile natural growth stimulant boosts chlorophyll production, deepens leaf color, and fortifies plants against environmental stressors like heat, drought, and frost. Safe for pets, kids, and pollinators, Liquid Love is the guilt-free secret to lush, vibrant growth—indoors and out! 🌿

Why Liquid Love Works?

💚 THE ULTIMATE PLANT SUPERFOOD: Liquid Love combines Kelp, Humic Acid, Fish Hydrolysate, Nitrogen, Plant Hormones, and Vitamins to deliver an unmatched spectrum of nutrients. It acts as a complete soil and foliar feed that typical fertilizers can't match.

🌿 TOTAL PLANT PERFORMANCE: Feeds plants instantly while building long-term soil health. Expect visible results—like greener leaves and stronger roots—within 7–14 days. It promotes faster growth and bigger blooms naturally.

LOADED WITH BIOACTIVE COMPOUNDS: Rich in natural hormones (auxins, gibberellins, cytokinins), amino acids, and trace minerals that optimize nutrient uptake and boost plant metabolism.

🌎 PURE, ORGANIC & EARTH-FRIENDLY: Made only from natural, sustainably sourced, food-grade ingredients—safe for all plants, pets, and people. No synthetic chemicals, dyes, or preservatives.

🪴 VERSATILE & EASY TO USE: Best for reviving yellowing leaves, reducing transplant shock, and boosting vegetables, flowers, lawns, and trees. Simply dilute with water and apply as a soil drench or foliar spray.

Key Benefits:

🌿 Vibrant, Healthier Plants: Increases chlorophyll and sugar content for darker greens and sweeter harvests.

🛡️ Stress Resilience: Shields plants from extreme weather, acting as a stress resistance formula that reduces the need for herbicides.

🏡 Safe for All Spaces: Non-toxic and chemical-free—perfect for homes with pets and children.

💧 Easy & Efficient: One bottle acts as an all-purpose garden nutrient for herbs, lawns, houseplants, and fruit trees effortlessly.

🌎 Eco-Friendly: Organic inputs protect soil health and waterways.

How to Use

Simple Mix & Grow:

  • Outdoor Plants: Mix 2 oz per gallon of water. Apply monthly with a hose-end sprayer or watering can.

  • Indoor Plants: Dilute 1 oz per gallon and water as usual.

  • Pro Tip: Shake well before mixing for even nutrient distribution! For fastest absorption, apply as a foliar spray early in the morning.

Frequently Asked Questions:

What is Liquid Love?

It is a powerful organic plant superfood blending kelp, humic acid, fish, Nitrogen, Plant Hormones, and Vitamins. It feeds both plants and soil biology for faster growth, stronger roots, and bigger blooms. Pure, Natural, and safe for all plants.

What makes Liquid Love different from other fertilizers?

Most fertilizers focus on a single nutrient type (NPK only). Liquid Love is a complete bio-active system—providing nitrogen, growth hormones, trace minerals, amino acids, and carbon sources. It revitalizes the soil food web while feeding the plant.

Can I use it with my other GS Plant Foods products?

Absolutely. Liquid Love works perfectly with Root Ruckus, Cal-Mag Extreme, or Yucca Wet for even stronger performance and nutrient absorption.

Is this safe for edible plants?


Yes—Liquid Love is 100% organic and safe for all fruits, vegetables, and herbs. It’s made entirely from natural, food-grade ingredients, allowing for a safe harvest.

How often should I use it?

Apply every 2–3 weeks during active growth, or monthly for maintenance. Its non-burning formula is gentle enough for frequent use.

Will it smell like fish?


It has a mild, natural ocean scent from the fish hydrolysate—but far less odor than traditional fish emulsions. The scent fades quickly after watering.
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SKU: 48977596102

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David R. Papke
Fort Morgan, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
New York, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
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Matt M.
Houston, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Lowell, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
New York, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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