SKU: 55450049586
frequency herbicide

frequency herbicide Specticle FLO Turf Herbicide – Indaziflam Pre-Emergent Weed Control

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Description

frequency herbicide Specticle FLO Turf Herbicide – Indaziflam Pre-Emergent Weed ControlSpecticle FLO Herbicide Specticle FLO Herbicide is a professional grade selective pre emergent herbicide formulated with indaziflam for long lasting control of troublesome grassy weeds, annual sedges, annual kyllinga, and broadleaf weeds in labeled warm season turfgrass, landscape ornamentals, hedgerows, hardscapes, and natural areas. As a Group 29 cellulose biosynthesis inhibitor, Specticle FLO controls weeds by reducing seedling emergence before

Specticle FLO Herbicide

Specticle FLO Herbicide is a professional-grade selective pre-emergent herbicide formulated with indaziflam for long-lasting control of troublesome grassy weeds, annual sedges, annual kyllinga, and broadleaf weeds in labeled warm-season turfgrass, landscape ornamentals, hedgerows, hardscapes, and natural areas.

As a Group 29 cellulose biosynthesis inhibitor, Specticle FLO controls weeds by reducing seedling emergence before they become established. It provides extended residual pre-emergence control of key weeds such as crabgrass, goosegrass, annual bluegrass, annual sedges, annual kyllinga, and many broadleaf weeds when activated by rainfall or irrigation.

Features & Benefits

Long-lasting pre-emergent control of many annual grasses, broadleaf weeds, annual sedges, and annual kyllinga

Controls key turf weeds including crabgrass, goosegrass, annual bluegrass, doveweed, annual kyllinga, and many broadleaf weeds

Low-use-rate suspension concentrate formulation for professional applicators

Labeled for established warm-season turf, golf course fairways and roughs, sod farms, sports fields, commercial lawns, residential lawns, parks, and cemeteries

Also labeled for landscape ornamentals, hedgerows, hardscapes, natural areas, and certain non-crop bareground sites

Can be used in single or split application programs to extend residual weed control

Compatible with many labeled herbicide tank-mix partners when compatibility is confirmed before use

Labeled Use Sites

Specticle FLO is labeled for use on established warm-season turfgrass areas including golf course roughs and fairways, sod farms, sports fields, residential and commercial lawns, parks, and cemeteries. It may also be used in landscape ornamentals, hedgerows, hardscapes, managed natural areas on golf courses, roadsides, non-bearing fruit and nut trees in residential plantings, and non-crop areas such as paths, parking lots, curbs, sidewalks, driveways, around buildings, gravel areas, loading ramps, educational facilities, storage yards, vacant lots, fence rows, parks, and hardscapes.

Target Weeds

Specticle FLO provides pre-emergence control or suppression of many weeds including crabgrass, goosegrass, annual bluegrass, annual kyllinga, annual sedges, doveweed, barnyardgrass, foxtails, Italian ryegrass, perennial ryegrass, sandbur, common chickweed, mouse-ear chickweed, white clover, common dandelion, chamberbitter, Florida pusley, henbit, horseweed, kochia, common lambsquarters, lawn burweed, prostrate pigweed, redroot pigweed, common purslane, prostrate spurge, spotted spurge, common ragweed, shepherd’s-purse, annual sowthistle, velvetleaf, yellow woodsorrel, and other labeled weeds.

Application Notes

Apply Specticle FLO according to the product label and only to labeled sites. Specticle FLO must be activated by rainfall or light irrigation before weed germination for best pre-emergent performance. Uniform application is essential for satisfactory weed control. Apply in a minimum of 10 gallons of water per acre, or 1 quart of water per 1,000 square feet.

Do not apply to newly seeded turf, golf course greens, tees, collars, slopes immediately above greens, or weakened turf that requires significant recovery. Do not apply to cool-season turfgrasses or mixtures containing sensitive grasses unless thinning or removal is desired. Specticle FLO may inhibit root development, so observe all seeding, overseeding, sprigging, and sodding intervals on the label.

Product Information

Active Ingredient:
Indaziflam 7.4%

HRAC Group:
Group 29 Herbicide

Chemical Family:
Cellulose Biosynthesis Inhibitor

Formulation:
Suspension Concentrate (SC)

EPA Reg. No.:
101563-207

Signal Word:
Caution

Manufacturer:
Environmental Science U.S., LLC / Envu

Recommended Rotation Partner:
A labeled herbicide with a different mode of action. The label specifically references tank-mix or program use with products such as Ronstar FLO, Revolver, Celsius WG, Tribute Total, glyphosate, glufosinate, Acclaim Extra, and other labeled herbicides where appropriate for the site and weed spectrum.

Recommended Surfactant:
Not required for pre-emergent use. Use only when required by a labeled tank-mix partner and follow the most restrictive label directions.

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SKU: 55450049586

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Product Reviews
D
Verified Purchase
David R. Papke
Chelsea, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Omaha, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Bozeman, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Fort Morgan, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Bozeman, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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