SKU: 67172966494
indoor house plant fertilizer

indoor house plant fertilizer Liquid Houseplant Fertilizer - 8 fl oz

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Description

indoor house plant fertilizer Liquid Houseplant Fertilizer - 8 fl ozFeed Your Entire Indoor Plant Jungle with One Fertilizer Balanced 9 3 6 Formula Nourishes Foliage, Roots, and Flowers for Healthy Growth Simplify plant care with our Liquid Fertilizer for Indoor Plants. With a 9 3 6 NPK ratio and added micronutrients, this all in one plant food keeps every houseplantleafy greens, flowering favorites, and everything in betweenhealthy, vibrant, and growing strong. If you love houseplants, you probably have more than

Feed Your Entire Indoor Plant Jungle with One Fertilizer

Balanced 9-3-6 Formula Nourishes Foliage, Roots, and Flowers for Healthy Growth

Simplify plant care with our Liquid Fertilizer for Indoor Plants. With a 9-3-6 NPK ratio and added micronutrients, this all-in-one plant food keeps every houseplant—leafy greens, flowering favorites, and everything in between—healthy, vibrant, and growing strong.

If you love houseplants, you probably have more than one! When your home looks like a lush jungle of greenery, keeping track of every plant’s needs can be difficult. That’s why you need one perfectly balanced fertilizer to make every plant happy and keep your to-do list simple!

Our liquid indoor plant food has a 9-3-6 NPK ratio. The high nitrogen promotes healthy, green foliage while the other nutrients encourage roots to grow strong and flowering plants to produce buds. This fertilizer is also a great source of other nutrients your plants need to be healthy. It has calcium, magnesium, sulfur, copper, iron, manganese, and zinc, all of which will promote your plants’ overall growth and health.

This indoor plant food can be prepared the same way for all your indoor plants, but the frequency you need to apply it will vary for each plant. You’ll need to keep track of what each plant needs, but you’ll only have to prepare one fertilizer for all of them.

How to Use Liquid Fertilizer for Indoor Plants

You can prepare a large portion of liquid plant food at once if you need to feed many plants. Mix one teaspoon of fertilizer per one gallon of water. If you have any leftovers, you can store them in a container with a lid and keep them for up to six months.

To feed your plants, water them according to your regular watering schedule but occasionally replace the water with the fertilizer based on each plant’s needs.

How Often to Fertilize Indoor Plants

While this plant food is suitable for all plants, the frequency each plant will need it every month will vary depending on the plant.

Fast-growing plants usually need fertilizer every 2-3 weeks in spring and summer and less often in the winter. Slow or moderate-growing plants usually only need fertilizer once or twice every month in spring and summer and may not need it at all during the winter. 

You can determine if your plants are getting enough nutrients based on how much you water them. Different plants will have different signs of not receiving enough water, but the most common signs are wilting, dropping leaves, or the development of crunchy brown leaves. Dehydration is challenging to reverse, but once you give your plants enough water, it will promote new growth. Brown leaves won’t be able to turn green again, so you’ll need to remove those.

A common sign of too much water is yellowing leaves. Leaves will start to turn yellow on the tips and edges until the entire leaf is yellow. Some plants may wilt or drop leaves if they receive too much water. The best way to tell if your plant is overwatered is to check the soil. If it’s wet, you may be overwatering it, or there may not be drainage holes in the container.  

Why Buy Plant Food from Perfect Plants?

Since 1980, Perfect Plants has been family-run and grower-direct, raising premium plants under the Florida sun. Our expert care ensures every product we offer, from live trees to fertilizers, arrives ready to help your plants flourish indoors and out.

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SKU: 67172966494

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Verified Purchase
David R. Papke
Natrona Heights, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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Verified Purchase
DoubtfulReader
Carnegie, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Dallas, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
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Verified Purchase
J. Christian
Alexandria, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
West Palm Beach, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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